Pub_2012 ASIAN ARTS SPACE NETWORK

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2012 ASIAN ARTS SPACE NETWORK

 

ASIAN ARTS SPACE NETWORK
PUBLIC ROLE OF ASIAN ART SINCE THE MODERN AGE

Organized by The Korean Ministry of Culture, Sports and Tourism
Managed by Alternative Space LOOP
Supported by Gwangju Museum of Art, Incorporated Association of East Asian Arts Exchange, Incheon Art Platform, Song Won Art Center

Published date_ 2012. 10. 8
 


 

CONTENTS

2012 Asian Art Space Network Forum
06 Introduction: 2012 AASN Forum

Exhibition: Public Role of Asian Art since the Modern Age
12 Outline
14 Preface_ Public Role of Asian Art since the Modern Age
Artworks

Collected Essays
70 Preface
72 Jae min CHOI – Asian Imperialism: A Love Story: Of Subalterns in Okinawa and Dongducheon_Korea
84 Patrick D. Flores – Temerities_Philippines
104 Prapon KUMJIM – 21st Century contemporary art and cultural identity of Thailand_Thailand
116 LAU Kin Wah – A site of Re-collection_Hong Kong
126 Charles MEREWETHER – Public role of Asian Art since the Modern age_Singapore
130 Soojin PARK – Reclaiming Korea’s Modern Era through contemporary art_Korea
138 Motoko UDA – On meaningful participation_Vietnam+Japan
154 WANG Sheng Hung – Re-Inquiry: Whose art museum?: Also on an institutional reality of false antagonism_Taiwan
166 YI Yang – A long winding road_China
192 Ardi YUNANTO – Unbending a crooked nail: Art in public spaces in post new order regime Indonesian cities_Indonesia

472 Move on Asia 2004-2010
474 A new sphere for public discourse and media art – Jinsuk SUH
479 Artists of global village generation – Youngro ANN YEE
480 Why video art preservation requires special handling? – Howard BESSER
484 Picturing Life – Biljana CIRIC
488 Do we need a YouTube for video art? – Ross HARLEY
494 Art forms in video making – Liz HUGHES/Caroline FARMER
496 The days of confused values – Euna KANG
498 The work of art in our global age: What can it globalize and for whom? – Jyotsna KAPUR
506 Seeking the possibilities of image expressions: what is the identity of video art? – Yonguk LEE
508 Clash and network – Simon MAIDMENT/Vikki MCINNES
512 Imagining the future of video art distribution – Abina MANNING
518 The materialistic approach to the changing of media formats – Yasuhiro NISHIMURA
520 I Love My India – Johan PIJNAPPEL
524 Move on Asia – Johan PIJNAPPEL
526 The never ending end of video art – Johan PIJNAPPEL
528 Beyond the limits of video art – Hyunsuk SEO
533 A world new order? – Fumihiko SUMITOMO
534 Video, the most significant medium in contemporary art – Yonghee SUNG
537 Rethinking Video Art – Kentaro TAKI
538 Korean Video Art and Shamanism – Wonkon YI